Second Quarter Films
Classicism
Realism
Formalism
Casablanca (Curtiz, 1942)
The Bicycle Thief (Da Sica, 1948)
Annie Hall (Allen, 1977)
Chinatown (Polanski, 1974)
The 400 Blows (Truffaut, 1957)
Memento (Nolan, 2000)